Please try again later. Edit Storyline When a young girl becomes lost in the hustle and bustle of Tehran, her journey turns into a dazzling exercise on the nature of film itself. Before the minute mark, you will be caught up in the drama of a lost little second grade school girl wandering along the perilous traffic of Teheran. In the middle of it all was a very smart, blunt girl trying to make her way home while the adults around her either callously ignored her in the 1st movie or ineptly gathered around to help in the 2nd. Please enter your email address and we will email you a new password.
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Panahi seems to panahk playing with the narrative confines of the child-focussed neo-realist genre and perhaps reminding us to reflect on the true nature of the social cityscape that he is presenting. Devoted to the discussion of film expression. I'm guessing the blunt political critique is about the status of women in Iran, because overheard women and men were constantly talking about the issue.
In Farsi language with English subtitles.
Yet the film is still thoroughly immersed in the noisy and intense hustle and bustle of modern Tehran, one of the most intense cities in the world. Panaji on, there are other carefully crafted, long-lasting shots showing the girl wandering in and out of closeup, sometimes disappearing in crowd scenes, and then reappearing, still in perfect frame.
Much of pamahi film's charm lies in the naturalistic "acting" or shall we say non-acting? Subjects Feature films -- Iran.
Amazon Rapids Fun stories for kids on the go. Singapore International Film Festival. The two dominant strands of post-revolution Iranian cinema - quaint neorealism and thick meta theory - come together in this wily experiment.
This film is an experience you won't easily forget. Golden Leopard winning films. I won't spoil the yhe by describing this surprise in detail, but the pulling aside of the veil between reality and film has a long history--usually in comedy.
So AfroPixFlix says see it! Login to add to list. There's a beautiful scene in The Mirror, where the little girl sits on a public bus, and she sees a man and a woman, separated by gender lines according to public transportation rules. By depicting a day in his psnahi, Panahi and Mojtaba Mirtahmasb try to portray the deprivations looming in contemporary Iranian cinema.
Log in with Facebook. So when Panahi set out to make another child-focussed film, he was working in a field that had already been richly mined. Jafar Panahi's absorbing, innovative drama about the disarming ways in which children express their own distinct personalities without modesty or grandiosity.
The Mirror ( film) - Wikipedia
For the men in the film, the primary interest and pleasure is listening vicariously to a radio broadcast of the Iranian soccer team playing South Korea.
The Haunting of Jafzr House. Retrieved 21 July The tranquility is abruptly broken one night by the arrival of a Newer Post Older Post Home. This film precedes Panahi's masterpiece, The Circle.
The Kids Are Alright. Withoutabox Submit to Film Festivals.
PG - Parental guidance recommended for persons under 15 years. The completion of the film is the individual obligation a woman has to maintain and abide by cultural rules. When an old couple washes their gabbeh - a type of Persian rug - a young woman magically appears and tells them her life story.